The ensemble known as Cocheras del Rey (King’s Coach House) was originally formed by two different buildings. In one was the Coach House of the Marquis of Valdecarzana and in the other the Casa y Cuadras (House and Stables) of Juan Esteban, designed by this architect between 1767 and 1771.

The first of them and another building that stood beside it were designed to be used by the courtier hierarchy during the Royal Visits. In the mid 19th century, it was transformed into a small seasonal palace, conserving part of the walls and adding new rooms. Later it became an apartment house and then was joined to the House and Stables of Juan Esteban.

From 1987, Messrs. Pedro and José Luis Martín Gómez undertook the restoration of the whole, made up of the two buildings around a patio with a garden, and gave it restaurants and a bookshop. It can be considered as one of the ideal meeting points in the area.

The Exhibition Rooms contain diverse objects: carriages, paintings, engravings, clothing, and so on, all of this being related to the sole means of transportation in the era of Carlos III and up to the second half of the 19th century, which were saddle horses and draught horses.

A scientific and cultural education centre offering the chance to discover startling micro-fauna that will be unknown to many. A universe in miniature!

Insectpark is an Environmental Education Centre located in the Abantos Pine Woods and La Herrería Area, with an impressive collection of micro-fauna comprising living and naturalised species (colourful butterflies, spectacular beetles, enigmatic spiders and the rest).

They stage activities for children, families and schools.

Located on the slopes of Monte Abantos, the centre provides an insight into the regional ecosystems, traditional forestry practices and the interrelationship between the mountains and their surroundings. Those wishing to walk there should follow the signposted route of barely 2.2 km.

The Luis Ceballos Arboretum is a living museum covering 3.8 hectares, with over 250 different species of trees and shrubs native to the Iberian Peninsula and Balearic Islands. It has areas focusing on forestry culture and flora, as well as thematic self-guided tours.

Visitors are free to enter whenever the Centre is open. Scheduled activities are also staged.

Located in the Dehesa de la Herrería (Herrería Meadows), to the west of the Monastery, Gabriel de Bourbon, son of Carlos III, commissioned the architect Juan de Villanueva in 1771 to carry out the work on the Upper Pavilion. Its purpose was to allow him to enjoy his greatest interests, among which were music, and to permit him to have a private life, in the company of his circle of friends and away from the protocol that surrounded the palace.

The building was inspired by Italian villas and its use was purely recreational. It is a concentrated and free-standing construction, surrounded by architecturally-designed terraced gardens, which create a sensation of unity, being related to the building.

The main room boasts a dome decorated with allegoric paintings relating to music. This was the listening room, the musicians being placed in the upper part and their music being heard from the small, central square in the garden.

From the garden, there are marvellous views of the Monastery.

His Majesty King Juan Carlos I was the last member of the Royal Family to reside in the building, living there over the period when he studied the area of Law. This building was declared a Historical Artistic Monument in 1931, along with the Monastery.

In the Letter that Felipe II wrote to the General of the Hieronymite Order, on 16 April 1561, he set out the reasons which led him to construct the Monastery: as recognition for the victory of the battle of Saint Quentin, which took place on St. Lawrence’s Day in 1557 and his desire to build a mausoleum in memory of his parents and himself, dedicated to St. Lawrence.

The work began under the architect Juan Bautista de Toledo in 1563, but the architect who continued it was his disciple, Juan de Herrera, from 1567, when Juan Bautista de Toledo died, until 1584, when the construction of the Monastery finished. The latter modified the design and created his own style, known as Herreran-style, characterised by decorative bareness and geometrical rigour.

The main facade, west-facing, has two large side doors which are the entrances to the Alfonso XII school and to the Augustine friary. In the centre of the facade, among eight Doric columns, is the main entrance of the building, crowned by a body of Ionic columns, among which we can identify the family coat of arms of Felipe II and a colossal statue of St. Lawrence, created in granite by Juan Bautista Monegro, which are particularly noteworthy.

Within it, it boasts the Plaza of the Kings (Patio de Reyes), the Basilica, the library, the crypt of the Kings (Panteón de Reyes), the crypt of the Princes and Princesses (Panteón de Infantes), the palaces (Palacios), and the Chapter Rooms (Salas capitulares), among other areas. The art museum and the architectural museum are a must for visitors.

The Monastery of San Lorenzo de El Escorial was declared a Historic-Artistic Monument in 1931, and in 1984 was recognised by UNESCO as a World Heritag.